Nov 30, 2016. Links to a large number of free LUT's (Look Up Table) sets for Sony S-Log2 and S-Log3 video cameras. Film looks and. Remember that LUT's for S-Log2 and S-Log3 can be used in any camera with S-Log2 or S-Log3. Using S-Log2 and S-Log3 with the Sony A6300 (with LUT's to download).May 11. Hi,Alister,i from Malaysia,just ask that i just bought Sony Pmw-200,but my camera recording format didn”t have HD422 Mode: MPEG-2 422P@HL, 50Mbps/ CBR – 1920. Mar 21, 2016. Sony releases S-LOG LUTs for F55, F5, FS7, FS5 and FS700 Cameras. Sony has released a number of Look Profiles (3d LUTs) as well as a PDF file with information detailing the technical sides of S-Log and S-Gamut. These documents are applicable for users of the F65, PMW-F55, PMW-F5, PXW-FS7,.

I’ve been doing a lot of work on shooting SLog-2 with the A7s. I realised almost straight away that a set of LUT’s for this camera would really help speed up my grading and testing. In addition as the camera is only 8 bit I have found that I am actually getting the best results from the Slog-2 if I over expose it just a little bit, depending of course on the scene. So I created a set of LUT’s that includes compensation for shooting at the nominal correct exposure as well as either 1 or 2 stops over exposed. In all there are 20 LUT’s in two sets. One is Rec-709 based LUT’s and the other Filmic LUT’s to act as starting points for further grading. I am in the process of creating the complete workflow and SLog-2 guide for the A7s which I should be publishing later next week which will have much more information on how to use these LUT’s.

But in the mean time here are the LUT’s if anyone want’s to play (and I would like feedback on what you think of them). The LUT naming goes something like this: AC A7S 709(800) ZERO AC (That’s me!). A7S (The Camera).

709(800) = Output gamma or style. ZERO = Exposure off set. The exposure offset refers to the number of stops the footage is over exposed by relative to the normal SLog2 exposure level of Middle Grey at 32% and 90% white at 59%. ZERO menas no exposure offset. 1STOP would be used when the SLog2 was exposed 1STOP over and in this case the LUT then shifts the exposure back down 1 stop to compensate. 709 = Vanilla Rec-709, very contrasty, but limited highlight response and hard clip of over exposure. 709(800) = Rec-709 gamma with 800% (high) dynamic range.

Will be slightly low contrast but deals much better with over exposure or bright highlights than vanilla 709. Film-Like1 = An extended range gamma with highlight roll off (+400% range), slightly de-saturated, slightly more film like color (small red/yellow removed). Filmic2 = Extended range low contrast gamma with very good over exposure handling. Slightly de-saturated. Good grading start point. Filmic3 = Similar to Filmic2 but a little more contrast at the expense of a little less highlight roll off.

Click on the links below to download the LUT sets. PLEASE DO NOT HOST THESE ELSEWHERE OR DISTRIBUTE THESE ELSEWHERE OR VIA ANY MEANS OTHER THAN A LINK TO THIS PAGE. If you find the LUT’S useful, please consider buying me a beer or a coffee.

Hi Alister, today is December 12, 2014 and im in Johannesburg heading to Zimbabwe for a shoot. I used the A7s on a shoot last week and was quite impressed. Decided to use it here.

Was wondering if you had published the complete workflow and SLog-2 guide for the A7s yet? Also you said in one of your posts when shooting in dark environments you shouldn’t be using pp7 anyway. My question is when would you use pp1-pp6 and what do each of these profiles do? I can’t seem to find any info on these profiles anywhere. Thanks for all your amazing posts. Hi Alister, I have a question for you regarding your LUT’s as used Premiere Pro CC 2015. You are probably well aware of the new color grading panel in Premiere Pro 2015.

There are 2 options for LUT’s now, one is the “Input LUT” in the Basic Corrections panel, and the other is the “Look” in the Creative panel. The problem I am having is this: when I use one of your LUT’s in the “Look” Creative panel, it works perfectly and I can adjust the intensity/gain to my liking, but when I make almost any other minor adjustment, such as a very minor luminance or hue adjustment, it suddenly blows everything out. Looking at my waveform monitor, it jumps everything up like 20 or 30 values on the IRE scale.

However, if I use your LUT as an Input LUT in the basic corrections panel, this is not a problem. The only problem with doing that is there is no way to control the gain of the LUT, it seems stuck at 100% unless there is a way to work around this. Maplestory V62 Download. I really like the A7S_709800_1over and 2over LUT because they give me a super accurate color space to begin grading from. Excellent work man. However, if I can’t control luminance and hue etc, it is going to be useless for me.