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Before jumping into the HitFilm Pro 2017 review, here’s a super quick introduction for those of you who are unfamiliar with HitFilm in general. A Short Introduction To HitFilm It goes without saying, there’s plenty of video editing software on the market.

The first ones that come to mind are big names like Adobe Premiere Pro and After Effects, Final Cut Pro, Magix Vegas, DaVinci Resolve, etc. Most of these applications are specialized to do a specific task, be it video editing (Premiere Pro and Final Cut Pro), visual effects (After Effects), or color grading (Speedgrade and DaVinci Resolve, to name a few). What makes HitFilm unique compared to most other products on the market, though, is the fact that it’s a one of a kind combination of a non-linear editor (NLE) and a video compositing tool capable of working with 3D objects. You can think of it as a blend of visual FX software like Adobe After Effects and video editing tools such as Adobe Premiere Pro and Final Cut Pro, packed into a streamlined interface that is far less intimidating for new users. It also comes with hundreds of pre-made effects and presets, which can be fully customized within the software. There’s loads of fun VFX stuff to play around width in HitFilm, from muzzle flashes and ready-to-use lightsabers to vintage film looks and particle simulation. HitFilm cleverly organizes the interface into two entities that seamlessly interconnect with each other.